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Association
of Friends of Rozay en Brie Historic Organ (SEINE ET MARNE – FRANCE) INAUGURATION OF THE 17th
CENTURY RESTORED ORGAN The unique and beautiful keyboards
from the 17th century After the outstanding
restoration, conducted with utmost care and respect for the old instrument by
Yves CABOURDIN, four ceremonies took place to celebrate with all essential
splendor, this highly significant local event. SUMMARY
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Gilles Jullien (1653 – 1707) Prélude du 2° ton Duo Cromhorne en taille Basse de trompette Dialogue François Couperin
(1668 – 1733) – Extracts from « la Messe à l’usage des
Couvents » : Kyrie : -
Plein Jeu -
Fugue sur le trompette -
Récit de cromhorne -
Trio à 2 dessus de cromhorne et de basse de tierce -
Dialogue / 5° couplet du Kyrie |
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Offertoire sur les
Grands Jeux Sanctus : -
Plein Jeu -
Récit de cornet -
Elévation : Tierce en taille Georg Böhm (1661 – 1733) Choral : Vater unser im
Himmelreich Dietrich Buxtehude Choral: Wie schön leuchtet der
morgenstern Jean-François
Dandrieu Magnificat du 3° ton (6 versets) Offertoire du 1er ton |
Michel CHAPUIS, ended the concert with
an impressive improvisation on the “thème de l’Angelot”, that is to say, the
unknown melody (from the Brie region ?) engraved on the partition held by the
cherub located on the central turret of the case of the large organ.
In the collegiate of Rozay
en Brie, not a single seat was available, and some spectators were seated,
here and there, on the stone steps. Everyone in the region that one would
consider to be music lovers or organists were gathered together that evening.
Moreover, some came a great distance to hear once again the great historical
organ of Rozay en Brie, played by Michel Chapuis.
Although Michel Chapuis
usually activated the bellows himself, during the concert, he asked Yves
CABOURDIN to activate the bellows, which date back to the original
construction.
At the end of the concert,
thunderous applause greeted Michel Chapuis. Yves CABOURDIN, urged on to the
front of the organ loft by the organist, deeply moved, was greeted by a
standing ovation.
Alain Mabit
Program :
Jehan Titelouze (1563 - 1633) Veni creator
(4 versets) Jan
Petersloon Sweelinck (1562 - 1621) Ps. 36: Du malin le
méchant vouloir (3 versets) Francisco
Correa de Araujo ( ? - 1663) Tiento de medio registro de triple de secundo tono |
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Nicolas
de Grigny (1671 - 1703): Gloria: «Et in terra pax» à 5 «Benedicimus te»: Fugue «Domine Deus Rex coelestis»: Récit de tierce en
taille «Domine Deus Agnus Dei»:
Basse de trompette ou de cromorne «Qui tollis peccata mundi»:
Dialogue «Quoniam tu solus sanctus»: Fugue
à 5 «Tu solus altissimus»: Trio «Amen»: Dialogue J.S Bach (1685 - 1750) Contrepoints
1 et 9 de « l’Art de la fugue » |
Before a large audience,
Alain Mabit insisted upon presenting, on his own, his concert, along with
commentaries on the different pieces that he played, while also praising the
incomparable restoration work done by Yves CABOURDIN.
The presentation, done by
the performer himself was highly appreciated by the public, for which usually
an organ concert is a concert that one attends to listen to the music. The
organist, more often than not, is hidden from the public and is only seen
briefly during the interludes.
Philippe Lécossais - Organ, Spéphane Guérinet - trumpet
On Saturday, April 20,
1996, during a moving ceremony, and in the presence of a large gathering,
Monsignor Louis CORNET, Bishop of Meaux, greeted and blessed the great
restored Organ.
Philippe LECOSSAIS,
Principal organist, is at the keyboards.
Andrée Daras
Miss Andrée Daras was the
principal organist at Rozay en Brie ever since its restoration in 1933 by
Gabriel D’ALENCON and until 1990.
For 57 years in charge of
her parish organ, she was able to meet and get to know a number of organists
who became famous, such as young Chapuis et Cochereau in the 50s, and still
many others. She was on familiar terms with them and called them by their
given name; <those youngsters> as she liked to call them!
During all those years she jealously
watched over the organ (and she did not allow just anybody to play it).
Unfortunately, Andrée Daras passed
away during the restoration carried out by Yves Cabourdin, and consequently
did not experience both the pleasure and the emotion on hearing once again
HER organ in all its restored majesty.
Translation
: Robert F. Allen
Revision : February, 18th,
2008 / PhL